Tip Tuesday #103

Tip Tuesday is a recurring feature where writers send in tips for fellow writers. If you'd like to send in a tip, please e-mail me at agentspotlight(at)gmail(dot)com.

Today's tip was sent in by Kristin Lenz who contributes to the group blog YA Fusion. When you're done reading her tip below, make sure you hop over there. She's featuring an interview with authors Erin McCahan and Vicky Alvalear Shecter and editor Cheryl Klein called "2 Authors + 1 Editor = 3 Free Books." Yes, there's a giveaway too! But before you rush over, here's Kristin's tip:

Barbara Kingsolver’s epic novel, The Poisonwood Bible, has five alternating narrators. During her revision process, Kingsolver wrote scenes from the point of view of each and every one of those characters.

“I spent nearly a year getting the hang of the Price girls, by choosing a practice scene and writing it in every different voice. I did that over and over until I felt the rhythm and verbal instincts of character.” From: http://www.kingsolver.com/faq/previous-books.html#32

Later, Kingsolver chose which voice was right for each particular scene. And this was a 500+ page novel. Can you imagine?

Yep, that’s the tip I’m recommending, but on a much smaller scale. Do you have a rough draft that feels kind of flat? Are there actions/dialogue/scenes that don’t quite ring true? Do you have characters who are only two-dimensional?

Try writing some of the scenes from that under-developed character’s point of view. In my work-in-progress, I discovered that the boyfriend spoke and acted differently when I wrote from his perspective. For example, in one of my original scenes, he responded passively when his brother was rude to his girlfriend. I had been primarily focused on my female protagonist’s actions and emotions. But in the scene rewritten from the boyfriend’s POV, he jumped up and told his brother off.

Now, I need to decide if I want to keep the alternating narratives in my story, or fold these new scenes into my old scenes for richer characterization.

Of course, if you have Pulitzer Prize aspirations like Barbara Kingsolver, go ahead and write each and every scene from multiple points of view. Good luck with that!

-Kristin Lenz

TESSA GRATTON INTERVIEW AND BOOK GIVEAWAY

First, I’m going to announce the winner of A NEED SO BEAUTIFUL. The winner is:

VIVIEN!

Congrats! E-mail me your address so I can send you your book.

Today I’m so excited to interview Tessa Gratton about her debut book, BLOOD MAGIC. I loved the unique and dark magical system Tessa created in her book.

And on July 18th, I got to meet Tessa at her book signing with Maggie Stiefvater in Novi, Michigan. That was such an awesome experience and a highlight of my summer.

Here’s a description of BLOOD MAGIC from Goodreads:

It starts off simply.

Draw a circle ... place a dead leaf in the center ... sprinkle some salt ... recite a little Latin ... add a drop of blood ...

Maybe that last part isn't exactly simple. Yet somehow it feels right to Silla Kennicott. And nothing in her life has felt remotely right since her parents' horrific deaths. She's willing to do anything to uncover the truth about her family—even try a few spells from the mysterious book that arrived on her doorstep ... and spill some blood.

The book isn't the only recent arrival in Silla's life. There's Nick Pardee, the new guy next door who may have seen Silla casting a spell. She's not sure what he saw and is afraid to find out. But as they spend more time together, Silla realizes this may not be Nick's first encounter with Blood Magic. Brought together by a combination of fate and chemistry, Silla and Nick can't deny their attraction. And they can't ignore the dark presence lurking nearby—waiting to reclaim the book and all its power.

Tessa Gratton's intoxicating first novel will keep pulses racing, minds reeling, and pages turning right up to the very last drop of blood.

Welcome Tessa. Thanks so much for joining us.

1. Your biography at the back of your book says that you wanted to be a paleontologist or wizard since you were seven. And that you were born in Japan and traveled a lot as a kid. I wish being a wizard was a profession too. How has your childhood and your love of fantasy influenced your writing?

The traveling was the biggest influence, I think – partly because moving around forced me to turn books into my best friends. I needed them, and even as an adult remember to strongly what it was like to yearn for a good story or amazing characters to keep my company. But on the writing level itself, traveling gave me the gift of experience and adventure – maneuvering in countries with different languages and cultures teaches you to understand people on all kinds of levels. It taught me especially to be curious about people and to empathize.

2. I turned to books for a different reason—I was incredibly shy. I bet you learned a ton about people from all your travels. I found the magical system based on blood to be very unique and kind of dark. What made you decide to base your magical system on this and is it influenced by any magical systems you researched?

Magic needs to have consequences, and I wanted my magic to be fixed to something hard. Blood is an important part of so many real-world mythologies and magical systems, that it was a natural place to start. Everybody has blood, but you have to make tough choices to access it.

3. Both Silla and Nicholas live in non traditional family situations and have parents with dark pasts. How did you decide to develop this and its relation to the main plot?

The magic is tied to blood, and besides eternal life, the thing blood symbolizes most in our culture is family ties. I wanted the story and the magic to be about family, about family history, and how power/ambition can follow kids from their parents.

4. You wrote the story from three POV characters—Silla, Nicholas, and Josephine—and all have distinctive voices. Did you have any challenges doing this and what advice do you have for authors wanting to try this?

It was tough sometimes to keep everything balanced, but in general I think multiple POVs is easier than a single POV, because you have more options. I worked hardest on making the voices sound separate during revisions – even up through the final round of copy editing. I recommend being sure you know how your characters would talk, and choose specific rules when you start out for how they’ll do things differently. Those can be fine-tuned as you go, but if you know that Silla uses lots of metaphors and Nick talks in shorter sentences, that can be a good place to start.

5. That’s really good advice to focus on making the voices sound different and to go beyond the words they might frequently use to the manner of how they talk. I read that you did not outline until after you wrote your first draft. Can you tell us how you outline and why that works for you?

I use outlines as a way to rearrange the pieces that I’ve already written – when drafting I need to be free to explore crazy other options, but revision is when everything gets tightened up and organized. I prefer notecards and character arc outlines.

6. You’re critique partners with Maggie Stiefvater and Brenna Yovanoff. Tell us a bit about how that came about and some advice on how you help each others as critique partners that we should follow in our own critique groups.

Well, really we just met on the internet and started working together! It takes a lot of trial and error to find your perfect CP match. I tried in person groups, online groups, and critiqued for about 20 people before hooking up with Maggie. She introduced me to Brenna, and the rest is history! Don’t settle, either – and be honest all the time.

7. So cool how the Internet can lead to friends. You watched Maggie’s success once SHIVER came out (an awesome series BTW) and Brenna debut. How did their experiences influence your own marketing plan and tell us a bit about what you’ve done to market your book?

I don’t do a lot of marketing myself – not beyond my web presence. I’ve got my website, and I blog because I love it. I had bookmarks designed, but those are for me to give out when I go to conferences or libraries or bookstores, not for any big marketing plans.

8. Your agent is Laura Rennert. Tell us a bit about your road to publication.

I’ve been writing since I was a kid, but took it seriously starting in high school. I broke up with it in college, but then after leaving grad school started writing again with the intention of making it my career. I wrote a book, queried about 5 agents, and after they all rejected my book, I wrote a new book, queried 5 more agents. They rejected that book, too, so I wrote a third book and that was the proto-Blood Magic. I only queried Laura that time, and she loved it, and signed me up! My philosophy was that if I wasn’t getting the agents I wanted, then my book wasn’t ready.

9. That’s so awesome how you kept going onto a new project. What are you working on now? Can you tell us anything about your secret project that I’ve read you’re working on?

I can’t! Sorry! It’s all top secret for a while longer. What I can tell you is that there’s a companion novel to Blood Magic coming out next spring called THE BLOOD KEEPER. It takes place 5 years later, with new heroes, but most of the characters from Blood Magic will show up, as well as some of the more mysterious ones like Nick’s mom Donna and the Deacon.

That's okay. Can't wait for the companion novel. Thanks Tessa for all your great advice. Good luck with your books!

Thanks for having me!

You can find Tessa at her website, blog, and Merry Sisters of Fate.

I’m giving away one signed copy of BLOOD MAGIC. All you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment by midnight on September 10th. I’ll announce the winner on September 12th. International entries are welcome.

And don’t forget you have until midnight on September 3rd to win a copy of THE GATHERING by Kelley Armstrong here. I’ll announce the winner on September 5th.

On September 12th, I’ll be interviewing P.J. Hoover and giving away a copy of her new YA book SOLSTICE.

Enjoy your last week of summer and see you next week!

Agent Spotlight: Rachel Coyne

This week's Agent Spotlight features Rachel (Vater) Coyne of FinePrint Literary Management.

Status: Open to submissions.

About: “Rachel has worked in the publishing industry for the past twelve years, first as an editor and for the past eight years as an agent.  Over the course of her agenting career, she has represented four New York Times bestselling authors, and is always on the lookout for the fifth.

“She represents young adult novels of all stripes (historical, fantasy, romance, contemporary, literary, humorous), as well as middle grade novels, especially with a humorous voice.  She’s also looking for adult historical, fantasy, urban fantasy and science fiction.  Recent sales include the Black London series (St. Martin’s Press) and The Iron Codex series (Delacorte) by Caitlin Kittredge; The Education of Hailey Kendrick (Simon Pulse) and Fourth Grade Fairy series (Aladdin) by Eileen Cook; A Star Shall Fall (Tor) by Marie Brennan; and the I So Don’t Do Mysteries series (Delacorte) by Barrie Summy.” (Link)

About the Agency:

“FinePrint Literary Management is a full service literary agency based in New York City. FinePrint launched in September 2007 as the merger of the Peter Rubie Literary Agency and the Imprint Agency. We represent both fiction and nonfiction for adults and young adults. Our agency maintains active memberships with AAR, RWA, MWA, SFWA, WNBA, and SCBWI.” (Link)

Web Presence:

FinePrint Literary.

FinePrint Literary blog.

FinePrint PM page.

QueryTracker, AgentQuery.

What She's Looking For:

Genres/Specialties:

“She represents young adult novels of all stripes (historical, fantasy, romance, contemporary, literary, humorous), as well as middle grade novels, especially with a humorous voice.  She’s also looking for adult historical, fantasy, urban fantasy and science fiction.” (Link)

From AgentQuery:

“She specializes in fantasy novels (including sword & sorcery as well as modern urban fantasy), as well as thrillers/mysteries, paranormal romance and chick-lit (including chick-lit mysteries and vampire/paranormal chick-lit)

“You'll catch her attention with edgy or funny young adult or middle grade books with a lyrical writing style or zingy tone

“She's open to everything -- sweet love stories, funny mysteries, scary thrillers, high concept urban fantasy, well-researched historical novels, and mainstream edgy or glam... so long as the voice feels authentic and speaks to social pressures and desires that younger readers can relate to.

“For mainstream adult novels, she loves character-driven stories with a great hook and beautiful writing -- or anything that makes her laugh.” (Link)

From a Conference Bio:

“She is open to first-time authors and is especially looking for beautifully written fiction with an original concept and unique voice. She is looking for young adult fiction dealing with contemporary teen issues and also young adult fantasy.” (Link)

What She Isn't Looking For:

Poetry, screenplays, stage plays, horror, westerns, category romance, picture books. (Link, Link)

“She's not the right agent for super dark horror with graphic violence, category romance, memoirs or novels about surviving rape / cancer / child abuse.

“She also has a tough time getting excited about very hard SF, or fantasy with too many cliché elements (prophesies, portals, hero quests, a magical object that will save the day or destroy the world if it falls into the wrong hands, etc.).” (Link)

Editorial Agent?

Clients have mentioned doing revisions for her, and she was previously an editor, so I assume yes, as needed.

Clients:

Marie Brennan, Eileen Cook, Caitlin Kittredge, Barrie Summy, among others.

Sales:

As of this posting, Ms. Coyne is listed on Publisher’s Marketplace as having made 0 deals in the last 12 months. There are 17 deals under Rachel Vater, including 3 six-figure+ deals, from 2004-2009.

NOTE: PM is usually not a complete representation of sales, and Ms. Coyne does not appear to actively report her deals.

Query Methods:

E-mail: Yes (only).

Snail-Mail: No.

Online-Form: No.

Submission Guidelines (always verify):

Send a query letter, synopsis, and the FIRST two chapters via e-mail. No attachments unless requested.

See the FinePrint Literary website for complete, up-to-date submissions guidelines.

Query Tips:

“When it's time to submit, check each agency's website and read their submission guidelines. You can and should submit multiple queries at a time, but submit to only one agent at a time within an agency. (We often refer authors to each other, and it can cause confusion if two agents request the same manuscript within the same agency.) Be sure to follow the individual agent's guidelines, because some agents want just a query letter while others also want a synopsis and/or first pages…” (Link)

Response Times:

When Ms. Coyne responds it’s usually within days to a couple weeks. Stats on the web show she doesn’t always respond, however.  If you do not hear back within a couple months, assume rejection. Response times on requested material range from a few days to a few weeks.

What's the Buzz?

Rachel Coyne is a well-respected agent with solid experience in the industry, first as an editor and then as an agent. Her current clients speak highly of her, and her blog, when she had one, was very popular and informative.  She definitely knows her stuff.

Of note, she has changed agencies a few times and lost several clients over the years. I recommend reading this thread on AW that features former client feedback (around pages 7-9). The concerns are subjective and may or may not have changed in recent years. I know FinePrint is thrilled to have her.

Worth Your Time:

Interviews:

None online that I could find.

Around the Web:

FinePrint Literary Management on P&E ($, Highly recommended).

Rachel (Vater) Coyne on P&E ($, Recommended).

FinePrint Literary Management thread on AbsoluteWrite (2004 – present).

Rachel Vater thread on AbsoluteWrite (2006-2009).

Keep an eye on the FinePrint News page for recent deals and client news.

Writing Tips from 2011 AWW Faculty -- Rachel Coyne – at the Antioch Writers’ Workshop blog (05/2011).

I found these “Ask the Expert” Q&As, but they may be several years old:

Ask the Expert: A Literary Agent’s Response Time, answered by Rachel Vater.

Ask the Expert: Finding Agents of Famous Authors, answered by Rachel Vater.

Ask the Expert: Selling Your Book Internationally, answered by Rachel Vater.

Ask the Expert: Literary Agent and Author Contracts, answered by Rachel Vater.

Contact:

Please see FinePrint Literary website for contact and query information.

Profile Details:

Last updated: 8/25/11.

Agent Contacted For Review? Yes.

Last Reviewed By Agent? N/A.

***

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at agentspotlight(at)gmail(dot)com

Note: These agent profiles presently focus on agents who accept children's fiction. They are not interviews. Please take the time to verify anything you might use here before querying an agent. The information found herein is subject to change.

Tip Tuesday #102

Tip Tuesday is a recurring feature where blog readers send in tips for fellow writers. If you'd like to send in a tip, please e-mail me at agentspotlight(at)gmail(dot)com.

Today I have a Tip Tuesday / guest post on exposition by the lovely Laura Lascarso. Laura has written a number of things for Lit Rambles including tips #66, #69, #83, #94, and the guest post "Will You Be Mine?" featured in February. She also has a debut YA coming out August 2012 called COUNTING BACKWARDS that I can't wait to read. Check her out!

Exposition Blues

By Laura Lascarso

I love writing exposition, but I hate reading it. Too much exposition kills the tension and pacing of the story. And it wastes a reader’s time. It’s like having to eat all the weird little fortified bits in my Lucky Charms before getting to the marshmallows, like wading through lumpy gravy to get to the meat, like…you get the picture.

But, says my writer self, the scene with the unicorn won’t have any meaning if the reader doesn’t know about the princess’s deep-rooted fear and loathing of the mythical creature.

Maybe true, maybe not. Perhaps it would be more gripping if, instead of embracing said unicorn, the princess were to pick up the nearest blunt object, intending to bash it over the head, leaving the reader to wonder if the princess was in fact, a crazed unicorn slayer. Now we have micro-tension.

This is to illustrate the internal dilemma on what to include and what to leave out in terms of exposition. To help my writer self be more objective about deciding, I’ve employed this strategy.

First, I open a new document called EXPOSITION. In it I say everything I want about my main character. Every little thing—fears, loves, dislikes, nervous twitches, strange affinities, familial relationships, life-altering moments. I do the same with lesser characters if I think it will be relevant later. This is also a good exercise in warming up to my characters and getting to know them on a more personal level. In some of my earlier stories, this document was also known as Chapter 1.

Then, I begin my story with the assumption that the reader knows everything I’ve just written about my characters. For my opening scene, I try to really focus on dialogue and action/reaction, sneaking in tiny bits of character revelation and backstory where I can. As I write my story, I try to weave in pieces of exposition where it is relevant. That last bit is key, because there is always the urge to write something like, the princess looked up at the cloud, which was shaped like a unicorn, the same one who gorged her elder sister just a few weeks ago. It’s too easy to look up at the sky and have a flashback. Save your big reveals for places where you can garner the most possible tension.

You will probably find that you only needed a fraction of the exposition you originally wrote. That’s a good thing. It means you’ve found other ways to convey your information in a show, don’t tell fashion. Or it could mean that your character is so strong that the reader doesn’t need to know the lesser details. If you’re still unsure about what exposition is needed, you can give your story to an astute beta reader and then ask them if they think such and such is important to the story or if they could have done just as well without it. We writers often tend to over-explain ourselves, which gives the reader the impression we don’t think they’re smart enough to figure it out on their own. But readers are smart. Way smart.

One last bit of advice—save some exposition for later. Many novels drop off in character development after a hundred or so pages, perhaps because the author has nothing left to reveal about their character. Save a few secrets. They’re good for both tension and plot twisting.

And that’s how I deal with the exposition blues. Have you ever had them? Feel free to strum your guitar and lament.

KELLEY ARMSTRONG INTERVIEW AND BOOK GIVEAWAY

First, I want to thank Casey so much for all her hard work in organizing the awesome WriteOnCon conference. It was even better than last year. There was something for everyone—picture book writers, illustrators, middle grade authors, and YA authors. She along with Elana Johnson, Shannon Messenger, Lisa and Laura Roeker, and Jamie Harrington worked so hard to bring us this amazing FREE conference. Thank you all.

And a very special thanks to Casey. Did you know WriteOnCon was her idea? I read this when she was interviewed on Publisher’s Weekly Children’s Bookshelf last year after the conference. I’m so glad she followed up on her idea.

Next I want to announce the winner of PETER NIMBLE AND HIS FANTASTIC EYES.

The winner is:

JESSIE HUMPHRIES!

Congrats! E-mail me your address so your book can be sent to you.

Today I’m so excited to interview Kelley Armstrong. I met Kelley at a book signing for THE GATHERING in Ann Arbor. She is SO NICE to her fans! After her awesome talk, everyone got to meet with her for a few moments alone while she signed their book.

Kelley is an incredibly successful author of both adult and now YA novels. She has over 12 books in her adult Women of the Otherworld series, 3 books in her YA urban fantasy Darkest Power series, and also writes the Nadia Stafford crime series.

THE GATHERING is the first book in her YA Darkness Rising series. Here’s a description from Goodreads:

Sixteen-year-old Maya is just an ordinary teen in an ordinary town. Sure, she doesn't know much about her background - the only thing she really has to cling to is an odd paw-print birthmark on her hip - but she never really put much thought into who her parents were or how she ended up with her adopted parents in this tiny medical-research community on Vancouver Island.

Until now.

Strange things have been happening in this claustrophobic town - from the mountain lions that have been approaching Maya to her best friend's hidden talent for "feeling" out people and situations, to the sexy new bad boy who makes Maya feel . . . . different. Combine that with a few unexplained deaths and a mystery involving Maya's biological parents and it's easy to suspect that this town might have more than its share of skeletons in its closet.

Hi Kelley. Thanks so much for joining us.
1. Tell us a little about yourself and how you became such a successful author.

I’m the author of the "Women of the Otherworld" paranormal suspense series and "Darkest Powers/Darkness Rising" young adult urban fantasy series, as well as the Nadia Stafford crime series. I grew up in Southwestern Ontario, where I still live with my family. I’m a former computer programmer, but I have escaped my corporate cubicle and hope never to return.

How did I become successful? I have no idea! Luck and timing, I think. I kept writing through countless rejections, until I finally produced something that was publishable. By that time, paranormal fiction was picking up, and I was lucky enough to ride that wave to success.


Photo courtesy of Curtis Lantinga

2. Whatever you did to become so successful, I wish I could too. Maya, the main character in THE GATHERING is adopted. I love how you developed her adoptive family and her comfort zone with her adoption. As an adoptive mom, I have to say THANK YOU because this type of family is so infrequently portrayed accurately. What made you decide that she’d be adopted and how did you nail her family situation so realistically?

Having her be adopted solved a few problems with her backstory. I can’t say too much about that, because it would be a major spoiler, but let’s just say that if these were her birth parents, they’d be responsible for something that was done to her, and that would have added a layer of conflict that I already dealt with in the Darkest Powers trilogy, with Chloe. Here, I wanted to avoid that. I also wanted to show a solid, loving adoptive family. Growing up, I knew a few kids who were adopted and they all had wonderful experiences. I don’t see enough of that in fiction.

3. I so agree adopted kids are under represented in Middle Grade and YA. Thanks again for so accurately portraying their (and my family’s) home life. I loved how you created the skin-walkers and Maya’s discovery of her connection to her birth mother’s Native American roots. Tell us a bit about how you developed that aspect of the plot.

Choosing skin-walkers wasn’t an easy decision. I really wanted to use them, but I also knew, from years of paranormal research, that it’s a very touchy subject for the Navajo. It’s a part of their culture, and I needed to be sensitive to that. I decided, since I am not part of that culture, that the best way to handle it would be to separate my fictional version from the true beliefs by postulating two types of skin-walkers. Maya’s type became extinct, and were replaced by the traditional ones. Does that solve all the problems of cultural appropriation? No. But I’ve never limited myself to folklore from my own ethnic background and I hope that as long as I’m clear, in the books, that “my” version is a fictional one, readers will give me some latitude for creativity.

4. At your book signing you said that when you start a longer series you have an idea of where the first 3 to 5 books will go but don’t know how the series will progress after that. How do you plot out the storyline and how do you have confidence that you’ll know where to move the series after the books you envision?

While I don’t plot past the first few books in a series, I usually have a very general idea of where it will end up. In other words, I know the endgame—which is where I am with the Otherworld series. I start sneaking in subplots and unresolved plot threads that will ultimately lead to that conclusion. The individual plots of each book, though, come as I reach that point.

5. It makes sense that you’ve got to know the end of the series to plot the subplots. And I’m guessing all your writing experience gives you confidence that you can figure out the individual plots to get to the end as you go. What made you decide to move from adult to writing YA books and have you found any differences in writing for teens rather than for adults?

The move came from a couple of things. I had an idea inspired by my second adult novel, Stolen, but it was about supernaturals just coming into their powers, which in my world happens at puberty, which wouldn't work for an adult series. That idea was in the back of my mind as I began getting an increasing number of emails from readers I considered a little too young to be reading my other books! So I decided to give that YA idea a try.

Two things surprised me. One, how little of a difference there was in the actual writing of the books. The YA are paced a little faster and the characters must be teens with teen issues, but otherwise, there's not much difference. Except for the second thing...the audience. Fantasy readers can become very invested in a series--quick to let you know what they like and dislike. But they have nothing on teens!

6. That’s so interesting the difference between the adult and teen audiences. Is your marketing strategy any different for your YA books than for your adult series and do you have any advice on marketing for the teen market?

Marketing to teens is a little different, but with YA, a decent portion of the audience is adult, so the marketing of the series overall isn’t that different. I’m just more careful not to “forget” the teen component of the audience. For example, teens are more likely to be on Facebook than Twitter, so I make sure all the YA Twitter announcements are duplicated on the FB page. I also had a separate site done for the YA. All the books—including the YA—are on my main site, but I’m careful about not wanting to sound like I’m pushing my adult books on my younger teen audience. So those books have a separate site, too (www. DarkestPowers.com) which is the one the publisher uses in marketing.

7. You’ve really thought it out well. Not that I’m surprised. And I’ve heard that not as many teens are on Twitter so that’s smart to focus on Facebook. I read that Melissa Marr and you will be writing a new middle-grade trilogy called The Blackwell Pages about three 12-year-olds descended from Norse gods who have to stop the impending apocalypse. The first book, LOKI”S WOLVES, is scheduled for publication in the spring 2013. I can’t wait! How did that come about and what is or will the process be for co-authoring a book?

Melissa and I both have teenage daughters, and we connected through that—our daughters each enjoyed the other’s YA books. We also both have preteen sons and we were keen to write something “for them.” As parents, we read and enjoy middle-grade fantasy and wanted to explore that, with the added bonus of trying co-writing.

I think the process for every co-authoring pair is different in some aspect. What’s working for us is splitting the writing by narrative point-of-view. I’m taking the male protagonist and she’s taking the two secondary characters (cousins--a boy and a girl) We alternate chapters—I do one for “my” character, then she writes a chapter for one of hers. All the plotting and editing is shared, of course.

8. Do you have any other advice for us aspiring authors?

Keep writing. It’s boring advice, but it really is the most important thing, I think. You need to love writing and keep at it, always practicing and writing new things, even if you don’t get published quickly (most authors don’t)

Thanks so much Kelley for all your advice. I can’t wait to read your next book and definitely your book with Melissa Marr. You can visit Kelley on her website and at Darkest Powers.

I’m giving away one copy of THE GATHERING. I was going to give away my copy from the book signing I went to but Kelley is SO nice that she offered to give away a copy as part of this interview. All you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment by midnight on September 3rd. I’ll announce the winner on September 5th. International entries are welcome.

Next week I’m excited to interview Tessa Gratton and give away a copy of BLOOD MAGIC.

Tip Tuesday #101

Tip Tuesday is a recurring feature where blog readers send in tips for fellow writers. If you'd like to send in a tip, please e-mail me at agentspotlight(at)gmail(dot)com.

Okay, you know I can't resist telling you to get thee to WriteOnCon today! Yes, our second annual online kidlit conference started this morning and runs through Thursday. You can see the full schedule here. It's completely free, easy to register for, and things are already hopping! Opportunity and knowledge abounds.

But I also have some great tips from Ryann Kerekes who blogs at Novel Addiction. So make sure you open a tab for Ryann's blog and skip over when you're done here. Here are her tips!

1. Put a lampshade on it. This is the tactic of blatantly spelling out an unbelievable or implausible piece of your story so that you call it out and then move on, so your reader doesn’t get unnecessarily hung up on it. http://tvtropes.org/pmwiki/pmwiki.php/Main/LampshadeHanging

2. If you introduce a gun –it must go off. The concept known as "Chekhov's gun" is where an element is introduced, but its significance does not become apparent until later on in the story. It’s also important to remember that if you are going to take the time to introduce something to your readers, ensure it has a purpose later on and will be followed up on.

3. Kill Your Darlings. The concept of "Kill your darlings" is credited to William Faulkner. “Darlings” can refer to pieces of your writing that you absolutely love. Be careful of these. If you love a certain scene, it may impair your objectivity, and as a writer, you must remember that nothing is safe from revision when needed. “Darlings” can also refer to characters. Again, be objective, don’t be afraid to challenge them, kill off someone, make things tougher on them, etc.

-Ryann

A NEED SO BEAUTIFUL ARC GIVEAWAY

First I’m going to announce the winner of KAT INCORRIGIBLE.

The winner is:

LLEHN!

Congrats! E-mail me your address so I can send you your book.

Sorry everyone, but I’m not posting an interview in my ASK THE EXPERT series today. I think my expert is on vacation and she did not e-mail me her answers.

But this gives me the opportunity to share an awesome book with you that I just read. It’s A NEED SO BEAUTIFUL by Suzanne Young. I started it while on vacation last week. And if I didn’t get car sick while reading in the car, I would have finished it on the way home from Philadelphia. It was that good.

Here’s a blurb from Goodreads:

Charlotte’s best friend thinks Charlotte might be psychic. Her boyfriend thinks she’s cheating on him. But Charlotte knows what’s really wrong: She is one of the Forgotten, a kind of angel on earth, who feels the Need—a powerful, uncontrollable draw to help someone, usually a stranger.

But Charlotte never wanted this responsibility. What she wants is to help her best friend, whose life is spiraling out of control. She wants to lie in her boyfriend's arms forever. But as the Need grows stronger, it begins to take a dangerous toll on Charlotte. And who she was, is, and will become--her mark on this earth, her very existence--is in jeopardy of disappearing completely.

Charlotte will be forced to choose: Should she embrace her fate as a Forgotten, a fate that promises to rip her from the lives of those she loves forever? Or is she willing to fight against her destiny--no matter how dark the consequences.

Here are a few reasons I loved it:

1. The Need. Charlotte possessed such a unique paranormal ability. Yet it was based on something we can all relate to—the need to help others.

2. Charlotte’s journey. One of the things I found most riveting was watching Charlotte struggle with her desires for a normal teenage life as The Need took over her life. And the heartbreaking decisions increased as she learned about The Need and what it meant to be a Forgotten.

3. Charlotte’s relationship with Harlin. I found it refreshing that Charlotte and Harlin were in a long term, healthy relationship at the start of the book. And he’s such a sweet, sensitive guy struggling with his own family issues. I had to love him.

4. The End. I don’t want to spoil it for anyone, so I’ll just say that I didn’t see it coming. I really enjoy endings I don’t expect.

I received this ARC from the publisher when she sent me another ARC for a later author interview. It was so nice of her to send it and I want to pass it on.

So to enter the contest, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment by midnight on August 27th. I’ll announce the winner on August 29th. International entries are welcome.

You still have time to enter my contest for PETER NIMBLE AND HIS FANTASTIC EYES here.

Don’t forget WriteOnCon starts tomorrow. You don’t want to miss it! Find out all the details here.

Next week I’m interviewing Kelley Armstrong and giving away a signed copy of her book, THE GATHERING. And the week after, I’m interviewing Tessa Gratton and giving away a signed copy of BLOOD MAGIC. I loved both their books and got the opportunity to meet both of them at their book signings.

See you next week!

Agent Spotlight: Weronika Janczuk

This week's Agent Spotlight features Weronika Janczuk of Lynn C. Franklin Associates.

Status: Open to submissions, actively building her client list. 

About: “Weronika Janczuk is a literary agent with Lynn Franklin Associates. Previously she worked with the D4EO Literary Agency, the Bent Agency, and Flux, among others. Currently she represents a wide range of fiction and non-fiction for YA and adults alike—and is very actively building her list, especially  in areas of crime fiction (especially espionage and literary suspense/thrillers), women’s fiction and romance, both literary and high-concept YA, memoir, and narrative non-fiction.

“Representative sales include MISERERE: AN AUTUMN TALE (Night Shade Books, July 2011), a dark fantasy; TRUCKER GHOST STORIES (Forge/Macmillan, Summer 2012), a collection of ghost stories and lore from employees of the trucking industry; MEDICATING HYPERTENSION (Rowman & Littlefield, Fall 2012), a look at medications prescribed for high blood pressure; DANCING IN THE DARK (Flux, Winter 2013), originally published by Penguin Australia, a literary YA about an orthodox Jew who chooses to dance behind her parents’ backs, in a two-book deal; and THREE PARTS DEAD (Tor/Macmillan, TBD), a very clever fantasy about a first-year associate at an international necromantic firm who must unravel the mystery surrounding a god’s death, in a two-book deal.” (Link)

About the Agency:

“Lynn C. Franklin Associates, Ltd. is a literary agency representing non-fiction including memoir, biography, current affairs, spirituality, psychology/self-help, alternative medicine, as well as some literary and commercial fiction. Our agency is now expanding selectively into the field of children's books.

“We regularly attend major international book fairs in Frankfurt, London and Bologna, and work with a wide selection of international subagents in Europe and Asia for translation rights.” (Link)

Web Presence:

Agency Publisher’s Marketplace page.

Ms. Janczuk’s website / blog.

Writing Blog.

Publisher’s Marketplace page. 

WEbook.

Twitter.

Facebook.

Tumblr.

YouTube.

LinkedIn.

QueryTracker, AgentQuery.

What She's Looking For:

Genres/Specialties:

“Young adult, crime fiction (including thrillers, suspense, and procedurals), fantasy / sci-fi / paranormal fiction, literary fiction, commercial fiction, women’s fiction, horrors, single-title romances, memoirs, commercial non-fiction in areas related to women’s interests, history, current events, politics, biography, medicine/health, food, social sciences, science, New Age, history, the arts, education, psychology, parenting, pop culture, the environment, sports (nothing mainstream—I’m interested in things such as sailing, Xtreme Sports, etc.),  and relationships.” (Link)

From Her Website (08/2011):

“My favorite novelists in [young adult] would have to be John Green and Jandy Nelson. 

“I am looking for YA novels in all sub-genres, from the literary to the super commercial, but I can never bear to finish a book that is poorly written, even if the plot and concept are amazing. Would love to find a thriller or gritty mystery, and any sci-fi, romance, sexy historical fiction, and fantasy (including epics!). Will consider everything, but any dystopian, post-apocalyptic, paranormal, or paranormal romance that I take on will have to be SUPER unique in concept or execution; I don’t think voice will suffice. I love really witty, quirky characters who are intelligent, accessible, strong, and self-aware. I love puzzles. Plot twists that surprise me. Believability — the reason so few dystopians and paranormals made it on the list above is the believability factor (aka, cool concept, but no way would this ever happen — I have to believe it can, like in HARRY POTTER). Magical realism. Boy characters. Family stories. Edginess. Justified snarkiness. But also funny — just plain funny. Or serious; that’s okay too.” (Link w/info on other genres she reps.)

From Her PM Page (08/2011):

“I represent primarily fiction at the moment, but am interested in working with writers of all types, be they novelists, memoirists, or real-world experts. I love high-concept works in all genres, but I'm actively looking for any fiction from writers with distinct, fresh voices and superb writing. Many of my novelists' works share the same genre-bending/breaking quality. With non-fiction, I'm interested in proposals for projects that will be read by a wide audience (must have that excellent balance of platform, concept and writing) or smaller books that are groundbreaking in specific/niche ways.

“Though I consider all material, I would currently love to sign more writers of YA, romance, upmarket women's fiction, and crime fiction (ranging from espionage to literary suspense), as well as any experts with a platform on topics of technology, social media, education, or the environment.” (Link)

What She Isn't Looking For:

Picture books, middle grade, financial/business thrillers, chick lit, books written for the academic community, cozy mysteries, erotica / erotic romances, cookbooks, short story collections, novellas, Christian fiction. (Link)

Editorial Agent?

“I definitely consider myself a career and editorial agent—someone who wants to work with writers for years to come and someone who will help revise and rewrite projects in order to make them as best as possible before starting to submit. I don’t see any benefit to a different relationship, especially if a writer’s goal is to continue improving upon his or her relationship. It’s entirely a process, and consistency is key to that process.” (Link)

(Query) Pet-Peeves:

“Anything that isn’t a one-page-or-less breakdown of the plot in a way that entices me to read on—in other words, anything that drags, anything that is arrogant or presumptuous or assumptive, anything that is untrue, anything that doesn’t fit in with what I represent, anything overdone, anything with a limited scope, anything without good writing, etc.” (Link)

Clients:

There is a list of clients on Ms. Janczuk’s website. Clients include:

Scott G. F. Bailey, Robyn Bavati, L.C. Frost, Teresa Frohock, Max Gladstone, Dr. Samuel Mann, M.D., Dawn Kurtagich, Leah Raeder, Lindsay Smith, Lisa Sommerland, Annie Wilder.

Sales:

There is a list of recent deals on Ms. Janczuk’s website.

As of this posting, Ms. Janczuk is listed on Publisher’s Marketplace as having made 5 deals in the last 12 months and 5 overall.  Recent deals include 2 sci-fi/fantasy, 1 paranormal, 1 health, and 1 young adult.

NOTE: PM is usually not a complete representation of sales.

Query Methods:

E-mail: Yes (only).

Snail-Mail: No.

Online-Form: No.

Submission Guidelines (always verify):

Send a concise one-page query letter and the first five pages of your manuscript.  For non-fiction, include a bio, resume, and/or list of credentials, depending (nothing from the proposal).

Put the word QUERY in the subject line. No attachments.

See Ms. Janczuk’s website for complete, up-to-date submission guidelines.

Query Tip:

“To be honest, I rarely read the query first. I scan for title, genre, and word count, which are usually easy to find, and then I jump straight into the pages. Only if I’m drawn to the writing will I double-check the query to make sure it’s a concept that I want to work with and that I think would sell, if the entire novel delivered.” (Link)

Response Times:

Ms. Janczuk strives to respond to all material.  She updates the query page of her website with the date of queries and requests she’s currently through.

Stats on the web show Ms. Janczuk responding to most queries within hours to a few days or so and requested material within days to a couple weeks.  As usual, there are occasional outliers.

What's the Buzz?

There’s been some really great buzz about Ms. Janczuk becoming an agent, some genuine excitement and awe, but there’s also been some concern about her age and experience. Regardless (as most of that comes down to varied personal opinion), it’s clear she’s a very smart and passionate advocate for writers and is off to a great start with five deals in her first year as an agent. Her clients seem very happy, and I’m looking forward to watching her list grow.

I recommend following Ms. Janczuk on Twitter, @WeronikaJanczuk, and at her agent and writing blogs.  Reading through her interviews below will give prospective clients a taste of her knowledge and agenting philosophy as well.

Worth Your Time:

(Agent) Interviews:

An Interview with Guest Judge Weronika Janczuk at An Aspiring Writers’ World  (06/2011).

Agent Chat (transcript) with Weronika Janczuk at Write On (06/2011).

Interview with Agent Weronika Janczuk at Brenda Drake Writes (02/2011).

Fabulous Friday - Agent Interview - Weronika Janczuk at Shelley Watters (09/2010).

An Interview with Weronika Janczuk, Literary Agent at helluo librorum (09/2010).

Interactive Interview with an Agent: Weronika Janczuk at Mother. Write. (Repeat.) (09/2010).

Interview: Literary Agent Weronika Janczuk at Katrina L. Lantz’s site (08/2010).

Interview with Literary Agent Weronika Janczuk at Sierra Godfrey (08/2010).

So You Want to Be a Writer … An Interview with Weronika Janczuk at Young Writers @ The Loft (08/2010).

Youtube Interview with Weronika Janczuk by Loft Literary Center (08/2010).

Fangirl Friday - Interview with new agent Weronika Janczuk at The Punching Bag Fights Back (08/2010).

The Drug of Good Writing - the Weronika Janczuk interview at A. Victoria Mixon, Editor (08/2010)

Interview with Weronika Janczuk at How To Publish A Book (date unknown).

Agent Interview: Weronika Janczuk at Literary Life (07/2010).

Around the Web:

You can find conferences and events Ms. Janczuk is attending on the calendar on her website.

Lynn C. Franklin Associates on P&E.  Weronika Janczuk on P&E.

Lynn C. Franklin thread on AbsoluteWrite (previous agency here).

Client Leah Raeder’s QT Success Story (07/2011).

Client Max Gladstone’s agent success story (03/2011).

Exploring the Act(ion) Dilemma, guest post by Agent Weronika Janczuk at the DFW Writers Conference blog (12/2010).

Plot and Pacing Part 1, 2, and 3 at WriteOnCon (08/2010).

Contact:

Please see Ms. Janczuk’s website for contact and query information.

Profile Details:

Last updated: 8/11/11.

Agent Contacted For Review? Yes.

Last Reviewed By Agent? 8/11/11.

***

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at agentspotlight(at)gmail(dot)com

Note: These agent profiles presently focus on agents who accept children's fiction. They are not interviews. Please take the time to verify anything you might use here before querying an agent. The information found herein is subject to change.

JONATHAN AUXIER INTERVIEW AND BOOK GIVEAWAY

Today I’m excited to interview Jonathan Auxier. His debut book PETER NIMBLE AND HIS FANTASTIC EYES was released on August 1, 2011. And today's his birthday!

Here’s a blurb from Goodreads:

Now, for those of you who know anything about blind children, you are aware that they make the very best thieves. As you can well imagine, blind children have incredible senses of smell, and they can tell what lies behind a locked door- be it fine cloth, gold, or peanut brittle- at fifty paces. Moreover, their fingers are so small and nimble that they can slip right through keyholes, and their ears so keen that they can hear the faint clicks and clacks of every moving part inside even the most complicated lock. Of course, the age of great thievery has long since passed;today there are few child-thieves left, blind or otherwise. At one time, however, the world was simply thick with them. This is the story of the greatest thief who ever lived. His name, as you've probably guessed, is Peter Nimble.

Hi Jonathan. Thanks so much for joining us. And Happy Birthday!

Thanks so much! I’m not actually a big fan of birthdays (at least not my own), but getting to be on Literary Rambles makes for a pretty cool present!

1. So glad it makes your birthday a little more special. Tell us a little about yourself and your book.

Peter Nimble & His Fantastic Eyes tells the story of a ten year-old blind orphan who also happens to be the greatest thief who ever lived. It’s a story that came out of a lifetime of reading and collecting classic children’s books -- from Alice Through the Looking-Glass to Treasure Island to Wizard of Oz … Peter Nimble is a sort of love letter to all the books that shaped me as a writer and human being.

2. I love how you used the three pairs of magical eyes as the basis of the magic in your story. How did you get the idea to use that in your story?

One of my favorite authors is Ronald Dahl. A while back I started seeing a pattern of wish fulfillment in his stories. From Matilda to The BFG, he creates stories in which a suffering character receives something magical that speaks directly to their need in a funny, wondrous way. Take Charlie and the Chocolate Factory: it’s the story of a boy who is starving -- literally suffering from starvation. And what does Dahl give him? He gives him a factory made of candy. Not just food, but candy -- the most decadent food any boy can imagine! Of course, along the way, Dahl also begins to address a deeper longing within his characters, which is where the real story resides.

So to answer your question, I began Peter Nimble with a character in need: a weak, blind orphan thief. Then I asked myself what would be the one thing such a boy would wish for? Well, eyes make a lot of sense, at least on a surface level. But in the spirit of “be careful what you wish for” (something else Dahl is a master of), I decided that the eyes needed to be a little bit of a mixed blessing -- they do impossible things, but not always what Peter wants them to. Really, the eyes are less an antidote to Peter's blindness than a promise of something better than a life of crime -- which is his deeper longing.

3. That is so awesome how you learned from one of your favorite authors and applied it to your own writing. I read that you have a background in screenwriting. A lot of writers read and recommend books on how to write a screenplay in helping to develop solid plots. How did your experiences in writing screenplays help you in developing your plot?

I can tend to be a bit abstract and rambling in my thinking, but theatre and film writers can’t afford to ramble: they have two hours to tell a story, and if the pace lags, people will start walking out. This starts and ends with a well-structured plot, which is pretty much the only tool dramatic writers have to work with -- if it’s not something a character does or says, it doesn’t make it into the story!

How does this apply to fiction? With fiction, there are almost no restraints to what a writer can do or say. This is part of what makes great books great … but it is also what makes bad books bad. It’s the old “enough rope to hang yourself” thing. Starting with structure gives me the necessary leash to make sure I don’t go too far astray with my story. The metaphor I’ve always used for this is a madman in a padded cell: the madman can flail and scream and jump around all he wants without hurting himself because he has this cell around him that will protect him. Story structure is my padded cell!

4. That's a great way to describe the perils of too little structure. How are you marketing your book and what advice do you have on marketing for other middle grade authors?

Wow, this is a big question! I am still learning new things every day. One discovery I’ve made is the importance of blogging beyond promotion. People will be happy to celebrate good news about your new book -- but not for months on end. The best online promoters are ones who contribute to the larger children’s literature conversation. Author/illustrator Katie Davis is a perfect example of this with her podcast “Brain Burps about Books.”

Another example is this great publishing blog run by two authors called Literary Rambles … ever heard of it?

In that spirit, I’ve spent the last year running www.TheScop.com, a website dedicated to exploring the connections between children’s books old and new. It’s a chance for me to roll up my sleeves and see how trends in contemporary literature connect with the older tradition (which is my real passion). It’s probably not the most efficient way to get my name out there, but it is certainly a lot of fun!

5. Glad you like our blog. And I agree that it's best to use your blog as a service to others and not just to promote yourself. Do you have any other advice for debut authors?

As I am just barely a debut author, I hardly feel like an authority. I would say that it’s very hard having something you love go into the world for people to discuss. It’s a special kind of vulnerability, and any review short of “best book ever!!!!” feels like a crushing blow. One thing I have made a practice of doing is never reading reviews. Not even Goodreads or Amazon comments. My wife gets Google alerts on all that stuff, and she keeps me abreast of what people are saying. That seems to keep the crazy at bay … for now, at least. Rest assured, I will find something else to obsess over soon enough!

Thanks for all your advice Jonathan. Good luck with your book. You can reach Jonathan at his blog.

Jonathan and his publisher have donated a copy of PETER NIMBLE AND HIS FANTASTIC EYES for a book giveaway. All you need to do is be a follower (just click the follow button if you're not a follower) and leave a comment by midnight on August 20th. I'll announce the winner on August 22nd. International entries are welcome.

Tip Tuesday #100

Tip Tuesday is a recurring feature where blog readers send in tips for fellow writers. If you'd like to send in a tip, please e-mail me at agentspotlight(at)gmail(dot)com.

Tip #100! You know what that means? Tip Tuesday has been running exactly 100 weeks! Sylvia Ney, who blogs at Writing In Wonderland, is the author of today's fantastic tip. It was originally part of a post she did on her blog including four other writing exercises, which you can find here, so hop on over for some fresh inspiration.

Paint Chip Storytelling

In this writing activity, you use paint chip samples to write a story. Paint chip samples often have unique and interesting names such as Western Sand, Basket Weave and Mermaid Tear. These names make the perfect story-starters to inspire creative storytelling. You may already be picturing a California beach picnic interrupted by a crying mermaid.

All you need is pen and paper (or a computer) and a collection of paint chip color samples with interesting names (free at most paint and hardware stores – even Wal-Mart).

Now, pick a few paint chip color samples with interesting names that you can use for storytelling. To make it more interesting, you can even try to pick random samples without looking at the names.

Next, think about how you'd link the paint chip color names into a story. For example, I picked the five names of Heather, Skating Pond, Lavender Lipstick, Lovely Silken Ribbon, and Lucky Shamrock; then you need to think of a story that would use all of these words.

You can free write from these ideas or you can use them as a model from which to start; one paragraph incorporating each word. For example, the first paragraph could introduce a character “Heather”; Heather might visit a skating pond in paragraph two; she might lose her lavender lipstick in the third paragraph; in paragraph four Heather tells her friend about the lovely silken ribbon she kept tied to the tube of Lipstick; a friend offers Heather her lucky Shamrock and she finds the lipstick in the fifth paragraph. Remember to make sure the paragraphs link together as a story.

Once the story is finished, try reading the story aloud. Think about your use of descriptive language, new vocabulary, and assess the all-around creativity of your story.

~Sylvia Ney

WRITEONCON IS COMING!

Today I want to let you all know that WriteOnCon is coming August 16-18. I can’t wait!

In case you don’t know what WriteOnCon is, it’s an online three day conference where you can meet agents, editors and authors who have lots of valuable advice to share. It was founded by our own Casey. She and the other organizers of WriteOnCon created an even more awesome conference this year.

Here’s why I think you don’t want to miss it:

1. It’s free. No, I’m not kidding. I’d love to go to one of the National SCBWI conferences to meet a lot of agents at one time, but I really can’t afford it. I love our local SCBWI chapter, but not many agents come to our conferences. So this is the best way for me to learn what a lot of awesome agents are looking for as I move closer to submitting.

2. There are lots of live chats and discussions on the forums with agents, editors, and authors. Agents participating include Michael Bourret, Mary Kole, Holly Root, Joanna Volpe, Natalie Fischer, Marietta Zacker, and Sara Megibow, Steven Malk, and many more people you’ll want to learn more about.

3. One of the things I love about the live chats is that you really get to know the agents, editors, and authors through the online conversation. And if you’re lucky, your question will be answered.

4. In the forums, there will be question and answer sessions, pitch sessions, and most likely sessions where agents give their gut reactions to submitted queries. And you can post your query for critique by participants and maybe even an agent. If they’re really interested, they may ask you to submit.

5. Don’t have time to attend all the events? There’s nothing to worry about. You can go back and read the transcripts. I know I’ll have to for some of the events because I’ll be at work. But I plan to catch whatever I can.

So what are you waiting for? Go to WriteOnCon to find out all the details.

On Wednesday, I'm doing an interview with debut author Jonathan Auxier--his birthday--and giving away a copy of his book PETER NIMBLE AND HIS FANTASTIC EYES. I wish I could enter the contest because I really want to read his book.

Next Monday, I'll be interviewing a teen in high school for my ASK THE EXPERT SERIES. And on August 22nd, I'm so excited to interview Kelley Armstrong and give away a copy of her book, THE GATHERING.

Hope to see you on Wednesday and next Monday!

Gone Conferencing....

Hey guys! Today's spotlight is mostly done, but I'd like some more time to finish it off. And seeing as I'm running around getting ready to leave for SCBWI-LA, I'm finding myself a bit short on time this morning.

Look for the spotlight next week, and in the meantime, feel free to share what you've been blogging about this week in the comments.

I'll report back on the conference when I return. Have a great weekend!

Tip Tuesday #99

Tip Tuesday is a recurring feature where blog readers send in tips for fellow writers. If you'd like to send in a tip, please e-mail me at agentspotlight(at)gmail(dot)com.

Today I have a tip from Carmen Ferreiro-Esteban who blogs at Dare to Read. This is the first tip she's sent in so please visit her sites and consider subscribing. Her most recent post is on querying, which is always a popular topic, so check it out when you're done here.

Writing Tip: Know your ending.

To write a story you need characters, setting and conflict. You also need an ending.

If you don't have an ending you don't know where you are going and, although you may get there by trial and error, it would take you longer and you'll need many revisions for the ending to fit the story properly.

Yes, I know Stephen King does not know the ending of his stories when he starts writing and he seems to be doing all right, but, in my experience 99% of writers block and 99% of unfinished manuscripts are a direct consequence of the author not knowing the end a priori.

-Carmen